Publication: Las esculturas de la Granja de San Ildefonso: la normalización de un barroco europeo tardío en España
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Auger, Clara
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Publicaciones Enredars / Andavira Editora
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Abstract
La escultura cortesana de la primera mitad del siglo XVIII, producto de una cultura artística común a las principales monarquías de Europa, puede calificarse como ¿barroco europeo tardío¿. Este barroco europeo tardío se implantó por primera vez en España a través de las esculturas de la Granja de San Ildefonso. La organización específica de un taller capaz de realizar un encargo de gran envergadura se analizará aquí como característica de este fenómeno.
Sculptures produced in European courts in the first half of the eighteenth century can be considered ¿Late European Baroque¿ to underline the artistic culture shared by the principal monarchies. This Late European Baroque took place for the first time in Spain with the sculptures of La Granja de San Ildefonso. The specific organization of a workshop able to execute such a vital commission will be studied as a part of the Late European Baroque.
Sculptures produced in European courts in the first half of the eighteenth century can be considered ¿Late European Baroque¿ to underline the artistic culture shared by the principal monarchies. This Late European Baroque took place for the first time in Spain with the sculptures of La Granja de San Ildefonso. The specific organization of a workshop able to execute such a vital commission will be studied as a part of the Late European Baroque.