Publication: Santos Pacheco de Lima (1684-1768) e José Coelho de Noronha (1705-1765): duas faces da talha barroca luso-brasileira.
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Nogueira Amaral da Silva Ferreira, Sílvia Maria Cabrita
de Oliveira Pedrosa, Aziz José
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Abstract
No panorama artístico da arte da talha de Lisboa e de Minas Gerais, durante o
período barroco, destacaram-se dois mestres entalhadores, cujos percursos
pessoais e profissionais confluíram de múltiplos modos. Santos Pacheco
afirmou-se como um dos mais destacados e influentes artistas, cuja carreira,
de longa duração, o elevou a ¿medidor das obras régias¿, avaliando obras
de talha, arquitectura, pedraria, carpintaria, entre outras. Por sua vez, José
Coelho de Noronha, formado na escola de talha de Lisboa, fará carreira de
relevo no âmbito do entalhe, da escultura e da arquitectura, em Minas Gerais,
local onde disseminou as coordenadas estéticas que as obras de Santos
Pacheco consolidaram na capital. Partindo da análise dos entornos familiares
e das obras destes dois artistas, o presente texto pretende delinear hipóteses
de trabalho, que permitam uma melhor compreensão sobre as dinâmicas
de influência e disseminação dos modelos de Lisboa, em terras do Brasil
durante o período barroco.
During the Baroque period in Lisbon and Minas Gerais two woodcarvers stood out, as their personal and professional paths converged in multiple ways. Santos Pacheco affirmed himself as one of the most outstanding and influential artists, whose career, of long duration, elevated him to the stand of ¿medidor das obras régias¿, evaluating works of woodcarving, architecture, masonry, carpentry, among others. José Coelho de Noronha, who learned his profession in Lisbon, made a major career as a woodcarver, sculptor and architect in Minas Gerais, where he disseminated the aesthetic coordinates that the works of Santos Pacheco consolidated in the Portuguese capital. Based on the analysis of the familiar environments and the works of these two artists, the present text intends to bring up working hypotheses that allow a better understanding on the dynamics of influence and dissemination of the baroque woodcarving Lisbon models, in the lands of Brazil, during the baroque period.
During the Baroque period in Lisbon and Minas Gerais two woodcarvers stood out, as their personal and professional paths converged in multiple ways. Santos Pacheco affirmed himself as one of the most outstanding and influential artists, whose career, of long duration, elevated him to the stand of ¿medidor das obras régias¿, evaluating works of woodcarving, architecture, masonry, carpentry, among others. José Coelho de Noronha, who learned his profession in Lisbon, made a major career as a woodcarver, sculptor and architect in Minas Gerais, where he disseminated the aesthetic coordinates that the works of Santos Pacheco consolidated in the Portuguese capital. Based on the analysis of the familiar environments and the works of these two artists, the present text intends to bring up working hypotheses that allow a better understanding on the dynamics of influence and dissemination of the baroque woodcarving Lisbon models, in the lands of Brazil, during the baroque period.