Publication: Iglesia La Recolección de Nicaragua. Parte II: Conservando, digitalizando y divulgando la huella del barroco en Centroamérica
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Ortiz Oviedo, Ana Francis
Urbina Araujo, Hassell Lucía
Giustiniani, Claudio
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Publicaciones Enredars / Andavira Editora
Abstract
La Recolección es una iglesia leonesa que data de 1786. Presenta una fachada-retablo
con características tipológicas, formales, estéticas e iconográficas que la circunscriben
en el barroco iberoamericano. León es una ciudad expuesta a diversas amenazas naturales que también ha sido escenario de eventos históricos, que en ocasiones han perjudicado su patrimonio cultural, provocando daños en el mismo. Por ello, hemos decidido documentar este bien cultural, mediante tecnología LiDAR, para crear productos digitales que contribuyan a preservar su memoria y generar una base documental teórico-gráfica para la formulación de propuestas de gestión, conservación o divulgación, como parte de este trabajo.
It presents a facade-altarpiece whit typological, formal, constructive, aesthetic and iconographic characteristics that circumscribe it in the Iberoamerican baroque. León is a city exposed to various natural threats, which has also been the scene of historical events which have sometimes damaged its cultural heritage, causing hurt to it. For these reasons, we have decided to digitally document this cultural heritage using LiDAR technology to create digital products that contribute to preserving its memory and generate a theoretical-graphic documentary base for formulating management, conservation or dissemination proposals, including those developed as part of this work.
It presents a facade-altarpiece whit typological, formal, constructive, aesthetic and iconographic characteristics that circumscribe it in the Iberoamerican baroque. León is a city exposed to various natural threats, which has also been the scene of historical events which have sometimes damaged its cultural heritage, causing hurt to it. For these reasons, we have decided to digitally document this cultural heritage using LiDAR technology to create digital products that contribute to preserving its memory and generate a theoretical-graphic documentary base for formulating management, conservation or dissemination proposals, including those developed as part of this work.




