Publication: Sevilla y los negocios de la mar: recursos que financiaron la arquitectura y el arte a fines del siglo XV
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Universidad Pablo de Olavide
Abstract
En este texto se analiza cómo los Enríquez de Ribera, linaje sevillano perteneciente a la élite urbana y emparentado con la más alta aristocracia castellana, interviene muy activamente en los negocios mercantiles. Esta dedicación, aunque poco estudiada, era habitual entre los grupos de poder hispalenses. Y teniendo en cuentala importante inversión en obras de arquitectura y arte realizada por esta familia, no se puede obviar que los beneficios de las empresas comerciales constituirían una significativa fuente de financiación para las mismas. Además, con vistas a investigaciones futuras, ayudarán a valorar las consecuencias que el contacto cultural ocasionado con gentes de muy diversa procedencia pudo tener para la evolución formal y conceptual de las manifestaciones artísticas de la ciudad.
This text discusses the trades and commercial activity of the Enriquez de Ribera, a well-known lineage in urban Seville with strong bonds to Castillian aristocracy. Trade was common as a source of revenue for Sevillian aristocrats who, then diverted their benefits to architecture and works of art. The financial side of these families for local art is of obvious research interest. It is aldo of interest, the international networks that these elites participated in, ones which provided cultural backgrounds that may have left some influence in Sevillian works of art.
This text discusses the trades and commercial activity of the Enriquez de Ribera, a well-known lineage in urban Seville with strong bonds to Castillian aristocracy. Trade was common as a source of revenue for Sevillian aristocrats who, then diverted their benefits to architecture and works of art. The financial side of these families for local art is of obvious research interest. It is aldo of interest, the international networks that these elites participated in, ones which provided cultural backgrounds that may have left some influence in Sevillian works of art.
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Atrio: Revista de historia del arte nº 18 (2012), p. 5-26






