Publication: El rastro de pinturas sobre vidrio en los inventarios españoles e hispanoamericanos de la Edad Moderna
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Ruiz Sanz de Bremond, Melania
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Publicaciones Enredars / Andavira Editora
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Abstract
La pintura sobre vidrio es una técnica pictórica que tuvo gran presencia tanto en España como en Hispanoamérica durante la Edad Moderna. Pueden encontrarse importantes rastros documentales de su existencia en todo el mundo hispánico, así como ejemplares que no han sido estudiados hasta la fecha. La revisión de una parte significativa de la documentación existente y la elaboración de una base de datos de inventarios de distintas naturalezas reales, de la nobleza y eclesiásticos, pertenecientes a los siglos XVI, XVII y XVIII, han permitido establecer cronologías, comenzar a armar una historia del gusto, analizar el tipo de colecciones en las que aparece, descubrir obras desconocidas actualmente y, a través del estudio de su circulación, tender lazos a ambas orillas del Atlántico.
Painting on glass is a pictorial technique that had a significant presence in Spain and Latin America during the Early Modern Age. There are essential documentary traces of its existence throughout the Hispanic world and copies that have not been studied. The review of a significant part of the existing documentation and the elaboration of a database of inventories of different natures -, royal, noble and ecclesiastical, belonging to the 16th, 17th and 18th centuries-, has made it possible to establish chronologies, begin to put together a history of taste, analyse the type of collections in which they appear, discover works that are currently unknown and, through the study of their circulation, to build links on both sides of the Atlantic.
Painting on glass is a pictorial technique that had a significant presence in Spain and Latin America during the Early Modern Age. There are essential documentary traces of its existence throughout the Hispanic world and copies that have not been studied. The review of a significant part of the existing documentation and the elaboration of a database of inventories of different natures -, royal, noble and ecclesiastical, belonging to the 16th, 17th and 18th centuries-, has made it possible to establish chronologies, begin to put together a history of taste, analyse the type of collections in which they appear, discover works that are currently unknown and, through the study of their circulation, to build links on both sides of the Atlantic.