Publication: Influencia portuguesa en el último gótico de la Baja Andalucía.
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Romero Bejarano, Manuel
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Abstract
Este trabajo tiene como objeto reseñar la importancia de la arquitectura tardogótica portuguesa en los edficios que se realizaron entre 1520 y 1550 en la Baja Andalucía. Esto fue debido al trasvase de maestros, que viajaron desde Portugal y se establecieron en la zona, donde acabaron por adoptarse como propios los sistemas constructivos y motivos ornamentales traídos del país vecino. Resulta en especial destacado el papel de Diego de Riaño como introductor de la tendencia, ya que desde que marchó a Lisboa a trabajar en el monasterio de jerónimos de Belem, la afluencia de artífices lusos a la Baja Andalucía fue considerable.
The purpose of this work is to review the importance of the Portuguese late Gothic architecture in the buildings in Baja Andalucia that were carried out between 1520 and 1550. This was due to the transfer of masters, who traveled from the neighboring country and settled in the area, where they ended up adopting as own constructive systems and ornamental motifs brought from the neighboring country. The role of Diego de Riaño as an introducer of the trend is especially noteworthy, since since he went to Lisbon to work in the monastery of Jeronimos de Belem, the influx of Portuguese artists to Baja Andalucía was considerable.
The purpose of this work is to review the importance of the Portuguese late Gothic architecture in the buildings in Baja Andalucia that were carried out between 1520 and 1550. This was due to the transfer of masters, who traveled from the neighboring country and settled in the area, where they ended up adopting as own constructive systems and ornamental motifs brought from the neighboring country. The role of Diego de Riaño as an introducer of the trend is especially noteworthy, since since he went to Lisbon to work in the monastery of Jeronimos de Belem, the influx of Portuguese artists to Baja Andalucía was considerable.