Muñoz Bellerín, ManuelCordero Ramos, NuriaFlores Sánchez, ManuelÁlvarez Pérez, Raúl2025-02-032025-02-032024Journal of Social Work Practice Vol. 37, Nº 2, 2024, págs. 363-37310.1080/02650533.2024.2376835https://hdl.handle.net/10433/23056This article presents the narratives of people experiencing homelessness, highlighting the daily violation of their human rights in the city of Seville (Spain). In a process characterised by a search for the meaning of homelessness and the role of Social Work in human rights, their experiences are part of a knowledge production that reclaims the dignity to these individuals using their words and bodies. Methodologically, this goal was achieved by Collective Theatre Creation, combining artistic research with Social Work, theatre pedagogy and aesthetic mediation. This methodology enabled a group of individuals experiencing homelessness to write and perform a play entitled ‘The truth that no one wants to see’ as a result of a research process applying aesthetic mediation in Social Work. Simultaneously, it leads us to the potentiality of artistic practices in the resizing of group practice in Social Work.application/pdfenSocial work practiceAesthetic mediationPeople experiencing homelessnessCollective theathre creationThe truth that no one wants to seeTrabajo Social, Derechos Humanos y Mediación Estética en un grupo de personas sin hogar en Sevillajournal articleembargoed access