González, José Manuel2024-11-072024-11-072024978-84-09-64372-1https://hdl.handle.net/10433/21907In Spain, the history of music of the twentieth century takes the Spanish Civil War (1936-1939) as a critical dividing point. This event brought to a halt the development of musical style, given that composers and performers were forced into exile. However, musical composition did not stop completely during this period, and extant music points to a creative environment submerged in tension and conflict. Taking music for guitar as a point of departure —a ubiquitous instrument in Spanish culture— this essay offers an analysis of the music produced during these three years. It pays attention to musical traits which give a special character —along two very clearly defined fields— to compositions produced in a country ravished by war.En España, la historia de la música del siglo XX toma la Guerra Civil (1936-1939) como punto crítico de inflexión. El evento bélico puso en paréntesis la transformación estilística musical, puesto que muchos compositores e intérpretes se vieron obligados a exilarse. Sin embargo, la creación musical, que no se detuvo en este periodo, exhibe características propias de un ámbito creativo sumergido en tensión y conflicto. Haciendo hincapié en obras compuestas para guitarra –instrumento ubicuo de la cultura española– este trabajo propone el análisis de este repertorio, poniendo de manifiesto aquellas características que definen las composiciones creadas en un país abatido por la guerra de trincheras, con dos bandos claramente diferenciados.application/pdfesAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/GuitarraGuerra Civil españolaEstilo bélicoJan LaRueGuitarSpanish Civil WarBellicose stylebook partopen access