Venturelli, Paola2024-06-172024-06-172024979-12-5977-302-9978-84-09-59769-7https://hdl.handle.net/10433/21106Attraverso l’analisi dei lavori di orefici, argentieri e cristallai per il Duomo di Milano, l’arca con il corpo di san Carlo Borromeo e un Tronetto espositorio, il contributo prende in considerazione i temi dei costi, delle pratiche realizzative e dei ruoli delle opere orafe tra XVI e XVII secolo.Through the analysis of the works of goldsmiths, silversmiths and glassmakers for the Milan Cathedral, the ark with the body of San Carlo Borromeo and an exhibition throne, the contribution takes into consideration issues relating to costs, construction practices and role of goldsmith works. between the 16th and 17th centuries.application/pdfitAttribution-NonCommercial-NoDerivatives 4.0 Internationalhttp://creativecommons.org/licenses/by-nc-nd/4.0/OreficiArgentieriCristallaiMilanoDuomoArca san Carlo BorromeoFederico BorromeoTronetto espositorioGoldsmithsSilversmithsGlassmakersDuomoArk of San Carlo BorromeoExhibition throneOrefici, argentieri e cristallai per il Duomo di Milano tra XVI e XVII secolo. Un trono espositorio con due angeli “sopra un monte” e l’ arca per il corpo di san Carlo BorromeoGoldsmiths, silversmiths and glassmakers for the Milan Cathedral between the 16th and 17th centuries. An exhibition throne with two “mountain” angels and the ark for the body of San Carlo Borromeobook partopen access