Conversaciones. Apuntes sobre el sistema del arte contemporáneo en Costa Rica. 2008-2016
Loading...
Identifiers
Publication date
Reading date
Event date
Start date of the public exhibition period
End date of the public exhibition period
Authors
Rodríguez-Mateo, Juan Ramón
Authors of photography
Person who provides the photography
Journal Title
Journal ISSN
Volume Title
Publisher
Publicaciones Enredars / Roma Tre Press
Metrics
Abstract
Costa Rica fue, al considerar el arte contemporáneo, un foco de atracción y difusión durante los 15 años de transición entre el siglo XX y XXI. Esa proyección regional e internacional de artistas y curadores parece haberse ralentizado con el cambio de foco a Panamá o Guatemala. Este trabajo recoge una serie de conversaciones con artistas, curadores y otros agentes del sistema de las artes, en las que reflexionamos sobre la situación del arte durante el período 2008-2016. Este estudio no es un análisis estilístico ni crítico, pretende ser una evaluación historiográfica de un período de tiempo concreto a través de los relatos directos de sus protagonistas.
Costa Rica was, when considering contemporary art, a spotlight of attraction and diffusion during the 15 years of transition between the twentieth and twenty-first century. That regional and international projection of artists and curators seems to have slowed down with the shifting of the spotlight to Panama or Guatemala. This work collects a series of conversations with artists, curators, and other agents of the system of the arts, in which we reflect upon the situation of art during the 2008-2016 period. This study isn’t a stylistic nor a critical analysis, it aims to be a historiographical evaluation of a concrete period of time through the direct accounts of its protagonists.
Costa Rica was, when considering contemporary art, a spotlight of attraction and diffusion during the 15 years of transition between the twentieth and twenty-first century. That regional and international projection of artists and curators seems to have slowed down with the shifting of the spotlight to Panama or Guatemala. This work collects a series of conversations with artists, curators, and other agents of the system of the arts, in which we reflect upon the situation of art during the 2008-2016 period. This study isn’t a stylistic nor a critical analysis, it aims to be a historiographical evaluation of a concrete period of time through the direct accounts of its protagonists.
Doctoral program
Related publication
Research projects
Description
Bibliographic reference
Photography rights
Endorsement
Review
Supplemented By
Referenced By
Creative Commons license
Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivatives 4.0 Internacional





