Publication: El discurso semiótico del agua en Ensayos y Revenar de Max Jiménez Huete y la deconstrucción del paisaje costarricense de la primera mitad del siglo XX.
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Carballo Jiménez, Dinorah
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Abstract
Mi ponencia es una propuesta sobre la visión sígnica del agua en
Ensayos (1926) y Revenar (1936) de Max Jiménez Huete, así como
una relectura del paisaje costarricense de inicios de siglo XX. El propósito
es tratar de discernir sobre los recursos técnicos, formales y
conceptuales utilizados por Jiménez.
This paper is a proposal about the signic vision of water on Max Jiménez Huete¿s Ensayos (1926) and Revenar (1936), as well as a new reading on the Costa Rican landscape at the beginning of the Twentieth Century. Its scope is to distinguish about technical, formal and conceptual resources used by Jiménez.
This paper is a proposal about the signic vision of water on Max Jiménez Huete¿s Ensayos (1926) and Revenar (1936), as well as a new reading on the Costa Rican landscape at the beginning of the Twentieth Century. Its scope is to distinguish about technical, formal and conceptual resources used by Jiménez.
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Rodríguez-Mateo, Juan Ramón (ed.). Centroamérica. Agua, cultura y territorio. Actas del primer Congreso Internacional. Heredia, Costa Rica, noviembre 2016. Sevilla: CEI Cambio, Universidad Pablo de Olavide; Heredia: Universidad Nacional de Costa Rica, 2017.