Publication: Barroco y Semana Santa en la Andalucía interior: la ruta Camino de Pasión
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Publicaciones Enredars / Andavira Editora
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Abstract
La ruta ¿Caminos de Pasión¿ nace en 2002 como fruto de la unión de varios municipios del interior de Andalucía (Carmona, Écija, Osuna, Utrera, Puente Genil, Lucena, Cabra, Baena, Priego de Córdoba y Alcalá la Real) para la puesta en valor de su Semana Santa, caracterizada por unos marcados rasgos distintivos frente a los modelos de las capitales provinciales. Estas ciudades medias son conjuntos monumentales de primer orden en los que el Barroco ha dejado una huella de acusada personalidad como expresión de la intensa religiosidad popular. Esta ruta viene a ser un corredor en el que se percibe la riqueza y variedad de manifestaciones artísticas del Barroco andaluz en relación con la celebración de la Semana Santa: espacios ocupados por las cofradías; imaginería procesional; y pervivencia de rituales y expresiones festivas que hunden sus raíces en el Barroco.
The ¿Caminos de Pasión¿ route was born in 2002 as a result of the union of several municipalities in the interior of Andalusia (Car-mona, Écija, Osuna, Utrera, Puente Genil, Lucena, Cabra, Baena, Priego de Córdoba and Alcalá la Real) for the enhancement of their Holy Week, characterized by marked distinctive features compared to the models of the provincial capitals. These medium-sized cities are monumental ensembles of upmost quality in which the Baroque has left a trace of marked personality as an expression of the intense popular religiosity. This route becomes a corridor in which the richness and variety of artistic manifestations of the Andalusian Baroque are perceived in relation to the celebration of the Holy Week: spaces occupied by the brotherhoods, processional imagery, and the survival of rituals and festive expressions that have their roots in the Baroque.
The ¿Caminos de Pasión¿ route was born in 2002 as a result of the union of several municipalities in the interior of Andalusia (Car-mona, Écija, Osuna, Utrera, Puente Genil, Lucena, Cabra, Baena, Priego de Córdoba and Alcalá la Real) for the enhancement of their Holy Week, characterized by marked distinctive features compared to the models of the provincial capitals. These medium-sized cities are monumental ensembles of upmost quality in which the Baroque has left a trace of marked personality as an expression of the intense popular religiosity. This route becomes a corridor in which the richness and variety of artistic manifestations of the Andalusian Baroque are perceived in relation to the celebration of the Holy Week: spaces occupied by the brotherhoods, processional imagery, and the survival of rituals and festive expressions that have their roots in the Baroque.