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Musical Scenes from Ibero-America

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dc.contributor.authorSuárez Marrero, Pablo Alejandro
dc.date.accessioned2024-10-30T13:17:16Z
dc.date.available2024-10-30T13:17:16Z
dc.date.issued2024-06-28
dc.description.sponsorshipUniversidad Pablo de Olavide
dc.format.mimetypeapplication/pdf
dc.identifier.citationComparative cultural studies: European and Latin American Perspectives, ISSN-e 2531-9884, Nº. 18, 2024 (Ejemplar dedicado a: Theories, political practice and poetics of decolonial and feminist projects from Abya Yala and the Global South)
dc.identifier.doi10.46661/ccselap-9521
dc.identifier.urihttps://hdl.handle.net/10433/21860
dc.language.isoen
dc.publisherUniversidad Pablo de Olavide
dc.rightsAttribution 4.0 Internationalen
dc.rights.accessRightsopen access
dc.rights.urihttp://creativecommons.org/licenses/by/4.0/
dc.subjectMusical scenes
dc.subjectIbero-America
dc.subjectShort notes
dc.subjectAcademic brief
dc.subjectEscenas musicales
dc.subjectIberoamérica
dc.subjectNotas breves
dc.subjectResumen académico
dc.titleMusical Scenes from Ibero-America
dc.title.alternativeEscenas musicales desde Iberoamérica
dc.typejournal article
dc.type.hasVersionVoR
dspace.entity.typePublication

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Comparative Cultural Studies, Nº. 18 (2024): Theories, political practice and poetics of decolonial and feminist projects from Abya Yala and the Global South