Publication: Estudio de la autoría de Roque Balduque, Andrés Ramírez y José Montes de Oca en tres “alhajas” inéditas del monasterio de Santa Inés de Sevilla
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Salvador Guijo Pérez, Salvador
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Universidad Pablo de Olavide
Abstract
Con este trabajo exponemos tres piezas inéditas que pueden ser atribuidas a los escultores Roque Balduque (¿? c. 1515 - Sevilla, 1561) y José Montes de Oca y León (Sevilla, 1676-1754), así como la participación de Andrés Ramírez (¿? c. 1532 - ¿Sevilla? c. 1569) en dos tablas de pintura. Estas se conservan en el Real Monasterio de Santa Inés de Sevilla. Las tres de pequeño formato se corresponden con escenas de la Pasión de Cristo, un Varón de Dolores, un Crucificado y una escena de la Resurrección. El análisis del medio que rodea a estas imágenes revela los rasgos que remiten claramente a la producción de los artistas propuestos.
With this work we present three unpublished pieces that can be attributed to the sculptors Roque Balduque (¿? c. 1515 - Sevilla, 1561) and José Montes de Oca y León (Seville, 1676-1754), as well as the participation of Andrés Ramírez (¿? c. 1532 - ¿Sevilla? c. 1569) in two painting boards. They are kept in the Royal Monastery of Santa Inés of Seville. The three of small format correspond to scenes of the Passion of Christ, a Male of Sorrows, a Crucified and a scene of the Resurrection. The analysis of the medium surrounding these images reveals features that clearly refer to the production of the proposed artist.
With this work we present three unpublished pieces that can be attributed to the sculptors Roque Balduque (¿? c. 1515 - Sevilla, 1561) and José Montes de Oca y León (Seville, 1676-1754), as well as the participation of Andrés Ramírez (¿? c. 1532 - ¿Sevilla? c. 1569) in two painting boards. They are kept in the Royal Monastery of Santa Inés of Seville. The three of small format correspond to scenes of the Passion of Christ, a Male of Sorrows, a Crucified and a scene of the Resurrection. The analysis of the medium surrounding these images reveals features that clearly refer to the production of the proposed artist.
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Bajo Guadalquivir y Mundos Atlánticos, 7 (2025), pp. 1-15




