La destrucción de las ruinas. Un giro argumental en torno a la conservación del patrimonio.
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Universidad Pablo de Olavide
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¿Qué provoca la destrucción de las ruinas, la pérdida de unos bienes culturales con peculiares características (difícil legibilidad, fragilidad, ubicación problemática, falta de uso y mantenimiento…)?: el desconocimiento, la desatención o la desidia, el abandono, la desafección, el expolio, las catástrofes naturales, las guerras, las “limpiezas” históricas, religiosas, culturales o étnicas, la propaganda desafiante, el nacionalismo cultural, el tráfico de obras de arte, el mal llamado “progreso” social, urbano o económico, e incluso complejas y contradictorias restauraciones.
Se trata de bienes culturales que, datando de cualquier época, han sido ya parcialmente destruidos y han perdido su función y utilidad originales –aunque hayan podido adquirir otras nuevas–. Y aun así, detentan en ocasiones tal poder evocador que incluso, en situaciones extremas, se han convertido en objetivos de fanáticos en conflictos recientes.
What causes the destruction of ruins, the loss of cultural assets with singular features (difficult legibility, fragility, problematic location, lack of use and maintenance...)?: Ignorance, neglect or negligence, abandonment, disaffection, looting, natural disasters, wars, historical, religious, cultural or ethnic “cleansing”, defiant propaganda, cultural nationalism, trafficking in works of art, the so-called social, urban or economic “progress”, and even complex and contradictory restorations. These are cultural assets that, dating from any era, have already been partially destroyed and have lost their original function and utility –although they may have acquired new ones. And yet, they sometimes hold such evocative power that, in extreme situations, they have even become targets of fanatics in recent conflicts.
What causes the destruction of ruins, the loss of cultural assets with singular features (difficult legibility, fragility, problematic location, lack of use and maintenance...)?: Ignorance, neglect or negligence, abandonment, disaffection, looting, natural disasters, wars, historical, religious, cultural or ethnic “cleansing”, defiant propaganda, cultural nationalism, trafficking in works of art, the so-called social, urban or economic “progress”, and even complex and contradictory restorations. These are cultural assets that, dating from any era, have already been partially destroyed and have lost their original function and utility –although they may have acquired new ones. And yet, they sometimes hold such evocative power that, in extreme situations, they have even become targets of fanatics in recent conflicts.
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Atrio. Revista de Historia del Arte, ISSN-e 2659-5230, ISSN 0214-8293, Nº. 31, 2025, págs. 254-282
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Except where otherwise noted, this item's license is described as Attribution-NonCommercial-ShareAlike 4.0 International







