Publication: Paisaje y videoarte en la era del Antropoceno: el paisaje ecologista.
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Sanz Martín, Cristina
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Universidad Pablo de Olavide
Abstract
Desde los sesenta, el paisaje ha experimentado un resurgimiento en el arte, sin embargo, se sigue representando e interpretando, principalmente, a través de los códigos pictóricos heredados de la tradición paisajística moderna. Tras analizar el panorama artístico contemporáneo, y, en particular, las propuestas videoartísticas, hemos detectado el surgimiento de un nuevo paisaje que se adapta a los códigos formales y conceptuales que representan a la sociedad de su tiempo, como, por ejemplo, la imagen en movimiento, el lenguaje audiovisual o la sensación inmersiva. Así como a las preocupaciones que turban a la sociedad contemporánea. Este trabajo trata sobre las prácticas que aúnan videoarte y paisaje, particularizando en aquellas que se centran en el ¿que hemos denominado¿ paisaje ¿ecologista¿.
Since the sixties, the Landscape has experienced a resurgence in the arts. However, it continues to be represented and interpreted mainly through pictorial codes inherited from the modern landscape tradition. Our analysis of the contemporary art scene, with a focus on video art proposals, reveals the emergence of a new landscape that adapts to formal and conceptual codes as a reflection of contemporary society. Examples include the moving image, audiovisual language or a feeling of immersion, as well as society ¿s concerns. This study addresses the practices that combine video art and landscape, focusing on those that feature what we have named ¿ecological¿ landscapes.
Since the sixties, the Landscape has experienced a resurgence in the arts. However, it continues to be represented and interpreted mainly through pictorial codes inherited from the modern landscape tradition. Our analysis of the contemporary art scene, with a focus on video art proposals, reveals the emergence of a new landscape that adapts to formal and conceptual codes as a reflection of contemporary society. Examples include the moving image, audiovisual language or a feeling of immersion, as well as society ¿s concerns. This study addresses the practices that combine video art and landscape, focusing on those that feature what we have named ¿ecological¿ landscapes.
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Atrio. Revista de Historia del Arte, ISSN 0214-8293, ISSN-e 2659-5230, Nº. 26, 2020, págs. 292-317.




