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Jesús y su búsqueda de un lugar heterópico para devenir Viva

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2021-12-16
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Universidad Pablo de Olavide
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Este artículo analiza la película irlandesa-cubana Viva, el estudio parte de la perspectiva que el cabaré constituye un espacio heterotópico que permite que Jesús pueda devenir Viva. También se considera que el encuentro Jesús/Ángel y los elementos económico-sociales que circundan a ambos personajes, centralizándose en el contraste barrio-cabaré y la importancia del segundo como un contra-lugar de la cotidianidad diurna de Jesús, el sitio donde puede explorar y asumir su feminidad sin ser juzgado. Asimismo, se examina la importancia que la parrhesía entre Jesús/Viva y Ángel tiene como elemento trascendental para que ambos puedan conocerse, aceptarse y recuperar el tiempo perdido.
This paper analyzes the lrish-Cuban movie entitled Viva. This research takes as its starting point the idea that the cabaret constitutes a heterotopic space that allows Jesus to become Viva. In addition, 1 examine the encounter between Jesús/Viva and Ángel and the socioeconomic aspects that surround these characters, by paying special attention to the contrast between the neighborhood and the cabaret, by focusing on the importance of the second one as an alternative to the daily ordinariness. The cabaret is the place in which Jesus can assume their feminine side without being judged. Furthermore, this paper examines the importance of the parrhesia between Jesús/Viva and Ángel has as a key element to allow them to know and accept each other and to make up for lost time.
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RELIES: Revista del Laboratorio Iberoamericano para el Estudio Sociohistórico de las Sexualidades, ISSN-e 2659-8620, Nº. 6, 2021, págs. 1-13
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