Publication: El coche de Carlos II pintado en la iglesia de los Venerables de Sevilla: carrocería, artes suntuarias y liturgia barroca
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Recio Mir, Álvaro
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Roma Tre Press / Enredars - UPO
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Abstract
La pintura mural realizada a comienzos del siglo XVIII en la iglesia de los Venerables de Sevilla por Lucas Valdés que representa a Carlos II cediendo su carroza a un sacerdote es la gran fuente visual del carruaje barroco sevillano. En este arte confluyeron, además del carrocero, la escultura, la pintura y los tejidos. A ello aún se sumaron los arneses que vincularon caballos y coche, los uniformes de sus servidores, así como el desarrollo de una liturgia eucarística que se extendió por España y América y en la que el coche de caballos alcanzó su máxima significación social.
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The mural painting made in the early years of the XVIIIth century in the church of Los Venerables in Seville by Lucas Valdés representing Carlos II giving his carriage to a priest is the great visual source of the Sevillian baroque carriage. In this art converged, in addition to the coachbuilding, sculpture, painting and fabrics. To this were added the harnesses that link ed horses and carriage, the uniforms of the servants, as well as the development of a Eucharistic liturgy that spread in Spain and the Americas and in which the carriage reached its maximum social significance.