Publication: Andalucía en la contemporaneidad: 1978-2008. Aproximación a las construcciones de unas identidades plásticas a través del catálogo artístico.
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De la Torre Amerighi, Iván
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Universidad Pablo de Olavide
Abstract
El catálogo de arte, el catálogo expositivo, supone una de las principales herramientas que posibilitan la comprensión de una determinada época de modo multidimensional. Las posibilidades de recrear una historia del arte producido en Andalucía a través de los catálogos expositivos durante un periodo delimitado de su historia reciente resulta empresa factible, del mismo modo que constatar en ellos las sinergias, intereses y objetivos que animaron la voluntad por difundir y defender determinados rasgos ¿y no otros¿ como constitutivos de la idiosincrasia del arte andaluz contemporáneo durante el último cuarto del siglo XX y la primera década del XXI. A través del estudio de un número limitado de casos es posible analizar la posibilidad o imposibilidad de establecer los rasgos configurativos de un arte contemporáneo andaluz desde un punto de vista sentimental y estético.
The art catalog or the exhibition catalog, is one of the main tools that enable us to understand a particular era in a multidimensional way. It is feasible to recreate a history of art produced in Andalusia during a specific period in its recent history through its exhibition catalogs. In them, we note synergies, interests, and objetives that encouraged the will to spread and defend certain features ¿and not others¿ as constitutive of the idiosyncrasies of contemporary Andalusian art during the last quarter of the twentieth century and the first decade of the twenty-first. Through the study of a limited number of cases, it is possible to analyze the possibility or impossibility of establishing the defining characteristics of Andalusian contemporary art from a sentimental and aesthetic perspective.
The art catalog or the exhibition catalog, is one of the main tools that enable us to understand a particular era in a multidimensional way. It is feasible to recreate a history of art produced in Andalusia during a specific period in its recent history through its exhibition catalogs. In them, we note synergies, interests, and objetives that encouraged the will to spread and defend certain features ¿and not others¿ as constitutive of the idiosyncrasies of contemporary Andalusian art during the last quarter of the twentieth century and the first decade of the twenty-first. Through the study of a limited number of cases, it is possible to analyze the possibility or impossibility of establishing the defining characteristics of Andalusian contemporary art from a sentimental and aesthetic perspective.
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Bibliographic reference
Atrio. Revista de Historia del Arte, ISSN 0214-8293, ISSN-e 2659-5230, Nº. 26, 2020, págs. 266-290.




