Publication: Estética y dominación: El impacto de Schopenhauer y Nietzsche en la desvalorización estética de la Mujer en el siglo XX: Resucitando a la Empusa.
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Universidad Pablo de Olavide
Abstract
El pensamiento de Nietzsche y Schopenhauer será decisivo en el diseño de un nuevo estereotipo femenino, vinculado a una idea de la mujer especialmente exagerada del mal, que acabará poblando a través de la bohemia artística y literaria, el imaginario estético del siglo XX. Su filosofía servirá de aglutinante para muchos escritores y artistas e incidirá decisivamente en el estado espiritual de su época. Emerge así una nueva imagen de la mujer más degradada y menospreciativa, que ahora representa, no ya el temor masculino hacia lo femenino - una constante en la historia -, sino el horror a ese otro femenino no explorado, que conculca los límites que la moral y la cultura patriarcales le han asignado.
The thought of Nietzsche and Schopenhauer would be decisive in the design of a new female stereotype, linked to a particularly exaggerated idea of the evil woman, which would end up populating, through artistic and literary bohemianism, the aesthetic imaginary of the twentieth century. Their philosophy would serve as a binding force for many writers and artists and would have a decisive influence on the spiritual state of their time. A new, more degraded and belittling image of women emerged, which now represented not the masculine fear of the feminine - a constant in history - but the horror of that non explored feminine other who violates the limits that patriarchal morality and culture have assigned to her.
The thought of Nietzsche and Schopenhauer would be decisive in the design of a new female stereotype, linked to a particularly exaggerated idea of the evil woman, which would end up populating, through artistic and literary bohemianism, the aesthetic imaginary of the twentieth century. Their philosophy would serve as a binding force for many writers and artists and would have a decisive influence on the spiritual state of their time. A new, more degraded and belittling image of women emerged, which now represented not the masculine fear of the feminine - a constant in history - but the horror of that non explored feminine other who violates the limits that patriarchal morality and culture have assigned to her.
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Ambigua: revista de investigaciones sobre género y estudios culturales, ISSN-e 2386-8708, Nº. 10, 2023 (Ejemplar dedicado a: Investigaciones feministas desde la práctica reflexiva), págs. 118-139






