Publication: Fronteras, iconografía y estilos en el arte rupestre de Tepoztlán, Morelos
Loading...
Identifiers
Publication date
Reading date
Event date
Start date of the public exhibition period
End date of the public exhibition period
Authors
Mateos Ortega, Elena
Advisors
Authors of photography
Person who provides the photography
Journal Title
Journal ISSN
Volume Title
Publisher
Roma Tre Press / Enredars - UPO
Export
Abstract
El término “frontera” tiene múltiples significados, comúnmente asociado con divisiones políticas entre países, pero en arqueología y la historia del arte, delimita zonas de influencia, estilos y periodos cronológicos. En el arte rupestre, especialmente en México, se superponen culturas y estilos, sugiriendo no solo un cambio social, sino también la posibilidad de comunicación con el inframundo, funcionando como un umbral entre el presente y lo trascendental.
The term “border” is polysemous, often associated with political divisions between countries, but in archaeology and art history, it delineates areas of influence, styles, and chronological periods. In rock art, particularly in Mexico, cultures and styles overlap, suggesting not only a social change but also the possibility of communication with the underworld, functioning as a threshold between the present and the transcendental.
The term “border” is polysemous, often associated with political divisions between countries, but in archaeology and art history, it delineates areas of influence, styles, and chronological periods. In rock art, particularly in Mexico, cultures and styles overlap, suggesting not only a social change but also the possibility of communication with the underworld, functioning as a threshold between the present and the transcendental.